Neil Cowley Trio
February 17, 2011
There hasn’t been much music on The Sweet Dropper lately. I can remedy that.
Ave atque vale, Michael Been
August 24, 2010

Michael Been, circa 1990
Last night I learned the sad news of the death of Michael Been, bassist and lead singer of The Call. He died of a heart attack at the age of 60 in Hasselt, Belgium while assisting his son’s band on their tour. Jim Kerr, lead singer of Simple Minds, wrote a touching tribute to Been, remembering their brief time touring and recording together in the 1980′s:
A preacher and a teacher no doubt, he was always much more than your usual “ten a penny” careerist ‘80’s rock star. That said as driven as he was with his beliefs, the very ones that infused his music; Michael far from sanctimonious, was always a hoot to be around. To my mind, he had a similar soul that one perceives in true American greats such as Robbie Robertson and even Dylan himself. But even more wonderfully he also had the wickedly spirited comedy of John Belushi draped all around him. For that reason I easily recall the difficulty in picking myself up off the floor numerously after he had acted out one of his genuinely hilarious anecdotes. As I say, it was a pleasure and an honour to have hung around with Michael Been, and for that reason it is with sadness and with feelings of extreme fondness that I recall this warm and friendly man only hours after his sudden death.
That the Call were denied the kind of commercial success that their music merited, is an obvious understatement. Too American for the Europeans perhaps, and too English sounding for the American mainstream, Michael’s face was more suited to Biblical epics than the once ubiquitous MTV. (Beards and bellies were not associated with authenticity back then in MTV land. And Michael to be frank was way too authentic to take seriously the falsities needed to play the success game.)
Four years ago this month I wrote a short blog entry remembering the Santa Cruz-based band. Here’s what I wrote then:
Through the wonder of internet music technology, I have been reacquainting myself with one of the best, though least-remembered, bands of the 1980′s–The Call. They came on the scene in northern California in the early ’80s with a sound and ethos influenced by U2 and Simple Minds–emotion-laden lyrics, post-punk/anti-war angst, and an out-front spirituality shaped by Christian themes. Lead vocalist and bass player Michael Been describes himself as a Christian, although he is quick to add that he does not subscribe to the way he sees Christianity being practiced by many of its adherents–and, sadly, he has a point there. Few singers convey as much emotion and sincerity in their craft as Been does.
Their best work was their 1986 release Reconciled. However, the 1997 (and re-released in 2005) ’The Best of the Call’ compilation is a must-listen. The single ‘Let the Day Begin’ may strike a chord of remembrance in you political junkies out there. In 2000 the Al Gore presidential campaign used it as the anthem for various rallies. Interestingly, The Call was not asked for permission to use the song, but, like most musicians, they didn’t mind the free publicity.

A photo of Been taken earlier this month
You say awesome, I say awful
February 11, 2010
One of our favorite hymns begins, How sweet and awful is the place with Christ within the doors. Well, John Newton wrote it that way. The editors of the 1990 Trinity Hymnal “updated” it so that now we sing How sweet and awesome is the place…The substitution of awesome for awful (as in, “full of awe”) works. The meaning is nearly identical. But as a lover of words and sometimes reverse-chronological snob, I will often still sing awful in place of awesome anyway. I do the same thing with the last line of last verse of Praise to the Lord, the Almighty, singing the original
Let the amen sound from his people again gladly for aye (with long a) we adore him.
instead of the revised,
Let the amen sound from his people again loudly fore’er we adore him.
But I digress. Awful is one of the English words that is an auto-antonym (AKA antagonym, contranym, Janus word, enantiodrome, self-antonym, oxymoronym). Gene Edward Veith recently posted a partial list of English words with two contradictory meanings:
apology
(1) an admission of error accompanied by a plea for forgiveness (2) a formal defense or justification (as in Plato’s Apology), also referred to as an apologia
before
(1) in advance of (“the future is before us”) (2) at an earlier time, previously (“our forefathers came before us”)
cleave
This is a homophone, where two words, spelled and pronounced alike, have different origins. (1) “To adhere firmly”, from Old English clifian. (2) to split (as with a cleaver), from Old English cleofan
critical
Can mean “vital to success” (a critical component), or “disparaging” (a critical comment).
custom
As a noun, this means “conventional behavior”; but as an adjective, it means “specially designed”.
sanction
“To permit” or “to restrict” (as in “economic sanctions.”)
seed
To add seeds, is in seeding a field, or to remove seeds, as in seeding a fruit.
strike
Normally meaning “to hit”, in baseball it means “to miss”, and an extension of this usage has led to the meaning “to make a mistake”. Further adding to the contradiction, in bowling it refers to the best possible play. Another contradiction results with the phrase strike out: the baseball lineage leads to the meaning “to run out of hope”; but the original lineage also leads to the meaning “to start pursuing a desire”
suspicious
Can mean that a person is acting in a way that suggests wrong-doing, i.e. “He seems very suspicious.” or can mean that the person in question suspects wrong doing in others, i.e. “He was suspicious of her motives.”
Boom and bust
February 1, 2010
A little economics lesson…and it beats the old animated Schoolhouse Rock features that fed my brain as a child.
By the way, Hayek was right…
Bach, hope, gospel, and Japan
January 14, 2010
Many of us at FPC Kosciusko were moved by the concert and presentation by Roger Lowther last September. I recently found this 2000 article in First Things about the popularity of Johann Sebastian Bach in Japan, and how that popularity has created surprising opportunities to connect gospel truth and hope with a hard-to-reach people group.
Fugitive
November 11, 2009
Enjoy this in-studio performance of “Fugitive,” the lead single from David Gray’s newest release, Draw the Line:
Roger Lowther: organ concert and missions report, Sept. 13
September 9, 2009
Sunday night organ concert and missions report: This Sunday evening at First Presbyterian Church, Kosciusko, Roger W. Lowther will perform and give us a presentation on the MTW ministry he is pursuing in Tokyo, Japan. You can visit Roger’s blog here. Roger is a Massachusetts native with a degree in applied physics from Columbia University and a masters of music in organ performance from the Julliard School. He has won awards in a number of national and international organ competitions and served as organist at Second Presbyterian Church in Memphis from 1998-2002.Roger and his wife Abi have been involved in church planting in Japan since 2005. Through artistic events and concerts, they create opportunities for friendship and evangelism and connect churches to surrounding communities. They also mentor Japanese Christians in leading worship and encourage indigenous worship and hymnody. Click here to view an excerpt from a recent performance.
With stringed instruments
April 30, 2009
Old friend and first-rate picker from Macon, Georgia Stephen Barnes, with short but sweet string renditions of O Sacred Head Now Wounded and Alas! And Did my Savior Bleed. (used with permission). Enjoy.
Gospel amidst European ruins and Asian renewal
April 25, 2009
Must-read reflections from Peter Jones on hearing a performance of J.S. Bach’s St. John’s Passion in Berlin and hearing a choir in Jakarta, Indonesia.
U2: Magnificent
March 26, 2009
U2 performing ‘Magnificent’ on Late Night with David Letterman earlier this month:
Lyrics:
Magnificent
Magnificent
I was born, I was born to be with you
In this space and time
After that and ever after I haven’t had a clue
Only to break rhyme
This foolishness can leave a heart black and blue
Only love, only love can leave such a mark
But only love, only love can heal such a scar
I was born, I was born to sing for you
I didn’t have a choice but to lift you up
And sing whatever song you wanted me to
I give you back my voice
From the womb my first cry, it was a joyful noise…
Only love, only love can leave such a mark
But only love, only love can heal such a scar
Justified till we die, you and I will magnify
The Magnificent